(Vienna) Innsbruck's Bishop Hermann Glettler is one of theChurch representatives who obviously attaches great importance to making himself superfluous. He does not stand out as a "stumbling block" in the world, but through oddities and a kind of provocation, as they know the world. He seeks attention by leaving the sacred space to artists. The latest Glettler activities in Innsbruck.
An Austrian bishop who challenges the self-satisfaction and hopelessness of the world by seriously proclaiming the truths of faith? No. Shepherds who congratulate or offer themselves with ever new ideas of the world? Full program.
In the Innsbruck Bishop's church, therefore, the increasing number of tourists and the diminishing number of believers can "enjoy" a neon installation that at best proves bad taste, at worst blasphemous.
To dispel any doubt of any kind of christological or theocentric interpretation of the "work of art", the same message is simply "me,” which in German is “mich”. The English variant of the German personal pronoun in the accusative should certainly have been used only because the pronunciation of the common Bavarian "mi" for corresponds to “mich.” Guaranteed! A rogue who wants to see in it a form of increase of the egoistical “I” of the human being.
A small, religious brushstroke then has to be, which is why the two installations are put on display specifically for Lent. Which should be clear that they should prepare for Easter. Look at one. As a viewer, you would never have thought of it. Honestly not.
Both artistic operas are by Manfred Erjautz. The order for the was given by Bishop Glettler personally. However, he does not bear the costs. Erjautz and Glettler have been working together for at least 15 years. The "plastic chasuble" is part of this obviously "fruitful" cooperation. The artist
brings money, the bishop opportunities for self-expression. Broader circles were reminded of the PVC chasuble (Priest in Bat Look) in 2018 because it portrayed the Admont Benedictine monastery as a dubious advertising medium for its exhibitions and museums.
brings money, the bishop opportunities for self-expression. Broader circles were reminded of the PVC chasuble (Priest in Bat Look) in 2018 because it portrayed the Admont Benedictine monastery as a dubious advertising medium for its exhibitions and museums.
"The installations of contemporary art in sacred spaces promoted by the Bishop of Innsbruck are part of a precise strategy that one sees in art, even the blasphemous, that does not matter, a modern instrument of evangelization," said Lupo Gori.
In mid-March Glettler was invited to the Catholic Private University of Linz, one of the most superfluous ecclesiastical institutions in Austria, to give a lecture on the relationship between culture and the Church, where he affirmed his "strategy.” The host of the private university is Bishop Manfred Scheuer of Linz, who was Glettler's predecessor as Bishop of Innsbruck. They know each other. And they support each other. There is no lack of similarities. Both are first-rate miscreants that bring their dioceses losing years in the best of all cases. Both are eagerly awaiting the removal of priestly celibacy in order to conceal with married priests the shortcomings of their co-perpetrated decline - at least temporarily.
According to Glettler, the Church must adopt the "spirit" of the Second Vatican Council. I am aware of the spirit of the Council that its rotten fruits are visible to everyone. What I still do not realize is the Council's alleged "blessings", which are constantly invoked as if the recognition of a superfluous council were the conditio sine qua non, not the truth of faith. No, it can easily be doubted, thinned, distorted and denied, but the Council is not. No, the council is not. Anyone who casts doubt on the Council seems to be threatened with immediate legal execution - one might say so. A strange paradox.
According to Glettler, the "spirit" of the Council is a paradigm shift that transforms the Church from a rigid place of preservation to an open, flowing place of innovation, open to the other and the different.
The blasphemous installation of Christ in the old hospital church is ambiguously called: "My own personal Jesus". Everyone can worry about the connection between Jesus Christ's perversion and this title. The artist and bishop will vigorously contradict one another, as was the case with the blasphemous work of art. The body and a severed arm serve as pointers to indicate the time of day.
Where dubious trivialities take center stage, there must be a lack of substance.
Lupo Gori's summary of the new Glettler activities:
"In this sense, in the Jacob's Cathedral, the bishop's church of the land, with the head hanging down," Christ Clock "indicates the dramatic hour that has struck in the Catholic Church and for the Catholic Church, for a Church that is daily insulted and turned upside down by their own shepherds. "
Through shepherds who make themselves superfluous and poison the salt of the earth.
Text: Martha Burger
Image: Youtube / CR / dibk.at (Screenshots)
Trans: Tancred vekron99@hotmail.com
AMDG
________________________________________
(1) When the picture of Erjautz-Glettler-Art was made, Msgr. Glettler was not yet a bishop.
