Finally the Toni-Faber-Fetzen (Rag) is Gone!

God replaced by modernist Pseudo-"Kunst".  Dom of
St. Stephan in Vienna, after the Apostasy

Fast Veils

[Kreuz.net] For about 1000 years the view to the altar during Lend has been shrouded by the "Lenten Veil" (also "Hungertuch")  to signify that sinful man is not worthy to see God. 

Often these Lenten veils narrate the life of Christ, so also the Carinthian Lenten veils of Gurk, Haimburg, St. Stefan am Krappfeld or Maria Bichl, dating from the 15th to 17th centuries.

Religious Illiteracy

These Lenten veils were intended to bring the proportion of the population who could not read  (the illiterate), more powerfully closer to the life of Christ in a kind of poor man's Bible. 

Today, the fast veils would have the task to bring the faith closer to the   religiously illiterate of our time.

Faithless Pseudoart

Instead, the Lenten veils have become a field of artsy agitation for those church officials who are obviously weak in faith.

In this way, the St. Andra Church in Graz   modernist pastor, Fr. Glettler, blighted the high altar with a holey carpet, while in the University of Vienna church the image of God was replaced by an image of the (pagan) Karnikels (Hare) .

2016: Waste in the St. Stephen's Cathedral

The masonic affine and former Red Hawks-socialist Fr. Toni Faber, now Cathedral Priest of St. Stephen in Vienna, has a penchant for self-expression, beliefs, and further, pseudo art.

The perverse Hermann Nitsch counts, along with  the Communist Alfred Hrdlicka as the favorite "artists" of Fr. Faber.

For 2016 Fr. Faber has something "special" devised: a fast veil that has nothing to do with beliefs.

It consists of some drop cloths sewn together by a  Slovene "multimedia artist."

"My top installations express the idea through a bond structure and the phenomena of Networked-being, as part of our people, both in our souls and bodies as psycho-biological process, as spiritual phenomena," wrote Fr. Faber citing the pseudo artist on a plaque in the cathedral - what that has to do with beliefs, can not be seen without an apron and compass.

Thus Fr. Faber recognizes the garbage as "art", he has also appointed a (well-paid) curator (three-quarters bald, braided ponytail and goatee).

Neither "artist" nor curator have been noted by a special closeness to the Church - but maybe that's just the ideal selection criterion for the Church pandering to modernity.