
Shammah distributed the release simultaneously at the same release, however, the labels of "good" and "evil". In the production itself, there is no invitation to a "constructive dialogue". They miss every insight of criticism of the piece by Romeo Castellucci. In place of that Shannah dismisses every criticism, that the production only "by reason that there are falsely or misleading interpretations", to be finally brought "to silence" ultimately, because of a word that's conceived as "blasphemy". The charge of blasphemy is categorically denied by the director. What is blasphemous or not is obviously determined by religious sensibilities. [Which don't matter if those are Catholic.] The shift in roles of "black and white" according to Shemmah is: these are free arts, that are completely and unjustifiably threatened, against which demand protection by the authorities, then there are those, where those who threaten them are completely unjustifiably threatened, while they call for the protection of the authorities.
The Jewish Shemmah puts a surprising lack of religious sensitivity toward Christianity in this day, especially since she is heavily involve d in the life of the Jewish community. Even on her Facebook page, there are complaints, however, about the "anti-Semitic" character sound to the criticism of her work.
Text: Giuseppe Nardi image: adrianabolchini.com
2 comments:
"mutual respect"....
Dearest Jesus, don't think of this play, put on by people who are so ignorant they don't even know what "mutual respect" means. Think of all the Masses said today, and think of all the people who love you, and think of all the saints who venerated your Holy Face. Thank you, Jesus, for suffering insults for our sake, to save us from our own sins. Sweet Jesus, be kind and bring these poor souls to repentance, and our poor souls as well.
I love you, Jesus, and I am sorry for the unkindness done to You!
Amen, that was lovely.
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